Another technique to try is to angle the microphone slightly so you are speaking across the front of it, rather than directly into the capsule. Both of these are an effective way to reduce plosives. The first is to use a pop filter – either a foam windshield over the microphone, or a separate mesh pop filter in front of the mic. Also, if you live in a very noisy area with lots of traffic, or live in something like a shophouse or farm the RODE NT-1A. What this means is that if you have a room that sounds poorly, it is going to capture that in the recording far more audibly than an SM58 will. The 1' gold-plated capsule, low-noise circuitry, and pronounced proximity effect work together to deliver a warm and robust tone worthy. The RODE NT-1A is naturally a much more sensitive microphone than the SM58. However, sometimes plosives are unavoidable and there are other steps you can take to mitigate risk. Give your voice a rich, full, radio-ready sound with the Rode Broadcaster, a large-diaphragm condenser microphone designed specifically for broadcast, voice-over, radio, and podcast applications. ![]() Rode NT1 VS Rode NT1A - Mic Comparison: Shure SM7B vs Rode. The Procaster is a dynamic mic designed specifically for voice work. vs Shure SM7b : r/makinghiphop - Reddit WebShure SM7B vs Rode Procaster I. After a while, your vocal technique will naturally improve. ago The NT-1 is a really good all-around condenser mic that can be used for almost anything. Concentrate on how you say words like ‘pop’ and ‘bass’ to reduce the puff of air that comes from your lips. The first (and most effective) way is to practice performing whilst listening to yourself in headphones and moderate your voice to reduce plosives. ![]() ![]() There are a number of ways to mitigate this if it is a problem. This is a ‘popping’ sound that occurs on hard syllables such as ‘B’ and ‘P’, which can overload the microphone capsule. But for this purpose I would definitely suggest lifting the signal before the audio interface or mixer, as I feel the need in more gain for instrumental recording.Although being closer to the microphone yields a great sound, it also increases the risk of plosives. I have also recorded classical guitar and the result is pleasing, with rich lows and warm highs. But it gets solved when I speak at an angle, which sounds overall very good. This is becomes particularly problematic with proximity, when you directly speak into this microphone. The only significant con from my experience is its sensitivity to pop sounds, even if I use original Rode foam cover pop filter, I can definitely hear pop sounds. Intermediate preamps can definitely solve this issue, if you need even higher gain levels (I do not feel I need). With 85% gain you can hear the hiss noise, but it is quite insignificant and easily removed in post production. It is a gain hungry mic, as is expected from the dynamic ones. So far I use without any intermediate mixers or preamps, like Cloudlifter, directly into my Zoom H4n Pro recorder as an audio interface. RODE Procaster or NT1 You Tell Me Music Gear Network 22.5K subscribers Join Subscribe Share Save 21K views 4 years ago Check out our Official Merch lineup for EVH & Gear TV, The Helix Hour. Overall, very satisfied, very well build, solid feel and easy to use with Rode shock mount and arm. I have been using the mic for half a year for my live streams and podcasting. Check out our Official Merch lineup for EVH & Gear TV, The Helix Hour, Kramer Korner and our exclusive brand 'Broadstache' in The Broadstache Boutique.
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